publication date: 2006

pencil: Coq

story: Tina

The real protagonist at the center of the story is the store manager, Jean Charles Colonna.
The man is unscrupulous and moral, sexually taking advantage of all the beautiful girls in his employ.
The first victim introduced is Karine, his new secretary, secretly in love with him.
Jean uses this feeling to subdue her, humiliating her.
After having her undressed, however, he hands her over to his administrative employee, while he settles for a blowjob.
The next day he has to hire a new head of the underwear department and obviously his choice falls on the most curvy candidate.
He lets her try on some garments from her future sector, then sells it to Jacqueline, the head of the perfumery sector.
Jacqueline and Stephanie make love in front of him, then take her together.
Colonna's perversions increase when he has a friend install a camera in the women's bathroom.
Thanks to the videos, he discovers that an employee (and former lover) has sex during working hours with a colleague in the bathroom.
After several encounters, he shows up in his partner's place and forces her to have sex with him.
Daria gives in to blackmail, but also discovers the presence of the video camera.
Karine is surprised by the director as she dismisses the advances of the administrative manager.
The punishment involves a relationship with the gifted Mr. Mancini (the black friend who mounted the video camera), to which the rejected employee is also added.
Karine initially suffers only for the love of the director, but then appreciates.
The sexual adventures continue, until Daria manages to steal the tape that takes her back with Colonna.
Daria blackmails Colonna to become his partner in the store and enjoy the same benefits.
Karine is invited to satisfy both of them, but heartbroken she quits her job.
Particular and easily recognizable style, that of Coq (Luis García Gallo, Spain 1907-2001).
Even if the drawings are exclusively in black and white, the use of charcoal is exploited to the maximum for effective shadow play.