In the second chapter of Emmanuelle's adventures, the young Frenchwoman is obsessed with a new beauty: Anna Maria Serguine.
She still follows the erotic teachings of the perverse Mario, known in the first novel.
Anna Maria is Mario's cousin and is a painter.
Emmanuelle agrees to pose for her, hoping to seduce her.
Anna Maria, however, refuses to give in to her flattery.
Countess Ariane is still present in Emmanuelle's life, and for now she is the only lesbian to enjoy her attentions.
Eventually Anna Maria yields to Emmanuelle's court and moves to live with her and her husband (the author's autobiographical episode, for many years of her married life).
Guido Crepax took a lot of liberties in interpreting the novel, as happened in the movie, but he perfectly grasped the philosphic confusion of the character, torn between pure love and unbridled eroticism.
Always excellent graphics.